Horror historian, animation addict and tubular transdudette. Catch me on Twitter @dorvsutherland, or view my blog at dorisvsutherland.wordpress.com. If you like my writing enough to fling money my way, then please visit patreon.com/dorvsutherland.
As far back as the nineteenth century, certain writers had tried to demystify vampires by coming up with scientific explanations for their condition and behaviour. James Malcolm Rymer’s ramshackle Varney the Vampire introduced – and later abandoned – the notion that its main character was a man resurrected through galvanism. Charles Wilkins Webber’s Spiritual Vampirism
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Tens of thousands of science fiction and fantasy fans gathered at this year’s Dragon Con in Atlanta, which offered its participants a variety of events and attractions. One of these was the fourth iteration of the Dragon Awards, representing science fiction and fantasy across a range of media — the victors being decided with the
READ MOREAs noted in the previous post of this series, the biggest change faced by vampire fiction of the 1930s and ‘40s was that authors in the genre were now competing with films. Admittedly, dramatised vampires were not a new phenomenon: after all, the 1819 publication of Polidori’s “The Vampyre” had been swiftly followed by a
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Thousands of science fiction and fantasy fans arrived in Dublin this month to take part in the 77th World Science Fiction Convention. The activities and attractions culminated on Sunday with the Hugo Awards, when a selection of winners were presented with coveted socket ship trophies.
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