Horror historian, animation addict and tubular transdudette. Catch me on Twitter @dorvsutherland, or view my site at dorisvsutherland.com. If you like my writing enough to fling money my way, then please visit patreon.com/dorvsutherland or ko-fi.com/dorvsutherland.
Charlee Jacob invoked atrocities from across human history in the same way that a Romantic poet might invoke the Arabian Nights. Sometimes she delved into the past and found inspiration in such familiar horror reference points as Jack the Ripper, Elizabeth Bathory and the witch-hunts; other times she ripped tales of murders and warfare from
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2019 was the year of the evil clown, with terrifying new interpretations of the Joker, Pennywise, and Mr. Mime leering from our cinema screens. 2020, meanwhile, looks set to be the year of the super-heroine, as Black Widow and Wonder Woman gear up for their latest celluloid runarounds. What better character to carry the transition
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Welcome to the first in a new exclusive offering for our Patreon Patrons. Each month, we will be publishing exclusive essays by our contributors on various topics. In our first essay, Doris V. Sutherland explores the 2018-2019 run on Wonder Woman by G. Willow Wilson.
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On New Year’s Day, the latest issue of the digital science fiction magazine Clarkesworld went live. The line-up included a mixture of established talents and new names; in the latter category was Isabel Fall, who contributed a story entitled “I Sexually Identify as an Attack Helicopter.” Isabell Fall’s piece was available on the website for
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