Folk horror often examines tension between the “modern” and the “premodern,” the latter represented by folklore, witchcraft, and superstition which threaten the “modern” protagonist. Many folk horror flicks, like the classic The Wicker Man and the more recent The Witch, use this dynamic to critique modernity, traditionally defined by western white men and used to…
REVIEW: Marvel Meow Delivers Cat Power
Captain Marvel’s feline friend Chewie reigns supreme in Marvel Meow, Nao Fuji’s manga about the cat’s (er, flerken’s) misadventures across the Marvel Universe.
REVIEW: Weeaboo is a Love Letter to Weebs Everywhere
Weeaboo traces the stories of three high school students. As Maya, James, and Dani survive senior year, they struggle to find themselves and each other in Alissa Sallah’s heartwarming graphic novel.
A Fistful of Comics: Crowdfunding Roundup, November ‘21
Welcome back WWAC’s very own crowdfunding corner! We took a break last month due to general work-life balance related exhaustion, but I’m back and ready to share my favorite of this month’s campaigns. If you like heartwarming memoirs and up-and-coming cartoonists and not graphic novel adaptations of movie adaptations backed by Hollywood producers (why do…
VIZ Media Pubwatch: November 2021
Welcome back to another VIZ pubwatch! This month we’re taking a look at some newer comics by long-established creators, including the brand new Show-ha Shoten! by Death Note co-creator Takeshi Obata. But first, the news!
2021 Hugo Award Review: The City We Became by N. K. Jemisin
In her 2016 short story “The City Born Great” N. K. Jemisin introduced us to a homeless youth who was actually the avatar of New York City. The City We Became is a novel that takes the original short story as its prologue and proceeds to expand on the premise: the city’s avatar has gone…
INTERVIEW: Hanging Out in the Dirtbag Rapture
Writer Christopher Sebela thought he was finished with telling stories about ghosts, but, as we learn with Dirtbag Rapture, his new mini-series from Oni Press, he clearly is not done at all. Joined by artist Kendall Goode, colorist Gab Contreras, and letterer Jim Campbell, Sebela’s latest ghost story is a little bit “The Transporter meets…
REVIEW: Excalibur #25 Serves Up Arthurian Romance
I’ll always be a fool for a good Arthurian romance, and the important parts of Excalibur #25 certainly scratch that itch for me.
Previously on Comics: Whatcha Writing There, Nicole Maines?
“Page one, panel one… Nia Awakens…” With her iconic gloved fingers hovering over a glowing keyboard, Nicole Maines set comics a-flutter, exciting many trans fans with an unconfirmed tease of a Dreamer comic written by the woman who portrays the character on Supergirl. Despite the show coming to an end, it appears that Maines’ character…
A Brief History of Webcomics: 2010 to Now
Though comics have been posted online since there was an online to post them on (the earliest known webcomic being uploaded on CompuServe in 1985), in the last decade, the landscape of the internet and digital comic hosting have changed drastically. Today, even children read webcomics on their smartphones, whether they be four-panel gags posted…
2021 Hugo Award Reviews: The Empress of Salt and Fortune/Riot Baby
WWAC’s coverage of the 2021 Hugo Award finalists continues with a look at the final two contenders for Best Novella: Tochi Onyebuchi’s Riot Baby and Nghi Vo’s The Empress of Salt and Fortune…
REVIEW: Dead Beats Volume 2: London Calling Mostly Hits the Right Notes
As I said way back in 2019—I’m a sucker for both horror and music. Dead Beats Volume 2: London Calling called my name, especially with its stunning Claudia Iannciello cover, featuring a Black vampire woman holding a french fry container full of fingers. How could I not pick it up?
