Melissa Brinks is a freelance writer and co-creator of the Fake Geek Girls podcast. She has an affinity for cats, cooking, gardening, and investing copious hours of her life in fictional worlds of all kinds.
Unsurprisingly, four issues into John Constantine: Hellblazer, our titular protagonist doesn’t seem to be taking the directive to be the best version of himself very seriously.
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Knives Out was easily my favorite movie I saw in 2019. I’m a sucker for a good mystery, lavish set design, and biting social commentary, particularly when it plays with form as much as Knives Out does. I saw it twice, the first time hooked by the premise and carried along on exhilaration, the second
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John Constantine: Hellblazer #3 wraps up the story of Peckham Rye, but not without enough loose ends and plot hooks to keep readers on the line for the next issue.
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John Constantine: Hellblazer #2 opens with Noah, the mute boy from the previous issue, proclaiming his dislike for the titular magician. He’s right, but nobody is listening. The room of Ri-Boys and Constantine don’t understand sign language, and despite the absolute truth of what he’s saying and the necessity of these characters hearing it, it’s
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