Author: Kathryn Hemmann

ESSAY: The Role of Dōjinshi in Comic Fanzine Discourse

In December 2021, a conversation concerning the definition of the term “zine” unfolded on Twitter. This conversation arose from anxieties surrounding the rise of professionally printed and highly selective fanzines. Many comic artists lamented what they perceived as a betrayal of the DIY ethos of North American zine culture, while others expressed their frustrations regarding…

REVIEW: Himawari House Finds a Home in Cross-Cultural Friendship

Himawari House by Harmony Becker (They Called Us Enemy) is slice-of-life diaspora fiction that revolves around the sense of home, belonging, and otherness experienced by three young women living in Japan. Having decided to take a gap year between high school and college, 18-year-old Nao moves into the Himawari share house in Tokyo, where she…

Pave 7 volume 1 Tokyo Tarareba Girls

Roundtable: Creativity, Canvases, and Camaraderie, a Celebration of Akiko Higashimura

Akiko Higashimura is a manga legend. Since her debut in 1999, she’s been publishing award-winning hit comic after award-winning hit comic (including Princess Jellyfish, Blank Canvas, and Tokyo Tarareba Girls) and has now branched out to Webtoons in addition to serialized print manga. Paulina Przystupa got the WWAC crew together to discuss her long and…

REVIEW: Closing the Gaps in Queer Storytelling in Stone Fruit by Lee Lai

Lee Lai’s debut graphic novel Stone Fruit follows an overworked thirty-something named Ray as she ends her relationship with her girlfriend Bron and rekindles her friendship with her sister Amanda. Ray and Bron were at their most loving and creative while babysitting Amanda’s energetic six-year-old daughter Nessie, but they’ve drifted apart as their differences become…

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