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    Emily Lauer

    In addition to being a contributor to the site, Emily Lauer is the Pubwatch Editor for WWAC. She teaches writing and literature at Suffolk County Community College where she studies comics, kids' books, adaptations and visual culture. She lives in Manhattan with her husband, daughter and dog.

Author's Posts

  • American Gods Vol 1 is Not Quite A Melting Pot

    American Gods Vol 1 is Not Quite A Melting Pot0

    American Gods Volume 1: Shadows Neil Gaiman (Story and Words), P. Craig Russell (Script and Layouts), Scott Hampton, Walt Simonson, Colleen Doran, Glenn Fabry (Art), Lovern Kindzierski, Laura Martin, Colleen Doran, Adam Brown (Colorists), Rick Parker (Letterer) Dark Horsem February 28, 2018 The American Gods comics adaptation is both beautiful and well-paced. P. Craig Russell

  • The Shadow Hero’s Shadow is New Super-Man

    The Shadow Hero’s Shadow is New Super-Man1

    Welcome to the non-negative Year of the Knockoff on Women Write about Comics! Long ago in the wilds of October 2016, I wrote a guest post for the American Studies blog that discussed how Gene Luen Yang’s 2014 graphic novel The Shadow Hero seems like a rhetorical successor to Superman, particularly because its hero, Hank,

  • Draw the Line Offers Inspiration with Broad Strokes

    Draw the Line Offers Inspiration with Broad Strokes0

    Draw the Line Various creators, Myfanwy Tristram (editor) 2017 Draw the Line is an anthology webcomic, in which “over 100 comic(s) artists present positive political actions anyone can take.” It recently won the Broken Frontier Award for best Web Comic in 2017, and it does indeed offer a wide array of positive actions aimed at

  • Go Ahead, Skip the Origin Stories

    Go Ahead, Skip the Origin Stories1

    [et_pb_section admin_label=”section”] [et_pb_row admin_label=”row”] [et_pb_column type=”4_4″] [et_pb_text admin_label=”Text”] Action Comics #1 gets Superman’s origin story and “a scientific explanation of Clark Kent’s amazing strength” out of the way on the very first page, and the rest of the issue is devoted to his activities as a grown-up “champion of the the oppressed.” Though obviously his