I’ve been reviewing John Constantine: Hellblazer for almost an entire year, and at this point, it feels like I should be running out of things to say about it. I’ve covered how it’s my favorite modern Hellblazer series. I’ve mentioned that its lack of subtlety is one of  ...

John Constantine: Hellblazer #8, like the rest of the series, seems to take its cue from a famous clip of Garth Marenghi’s Darkplace: “I know writers who use subtext and they’re all cowards.”

John Constantine: Hellblazer has taken us through many seedy aspects of England, but in issue #7, the beginning of a new arc, we go somewhere new: Billingsgate Market, a fish market in Canary Wharf.

Previous issues of John Constantine: Hellblazer have embraced the series’ legacy with open arms. Writer Simon Spurrier, artists Aaron Campbell and Matías Bergara, colorist Jordie Bellaire, and letterer Aditya Bidikar have crafted a story that is not only horrifying but explicitly  ...

I appreciate that this series never does exactly what I expect of it, and John Constantine: Hellblazer #5 is no different.

Unsurprisingly, four issues into John Constantine: Hellblazer, our titular protagonist doesn’t seem to be taking the directive to be the best version of himself very seriously.

John Constantine: Hellblazer #2 opens with Noah, the mute boy from the previous issue, proclaiming his dislike for the titular magician. He’s right, but nobody is listening. The room of Ri-Boys and Constantine don’t understand sign language, and despite the absolute truth of what  ...

After the semi-soft reboot of The Sandman Universe Presents: Hellblazer #1, John Constantine is back in London, 2019. He’s tasked with a seemingly insurmountable obstacle: the key to saving the future is to not be such a garbage bag of a person.