The endpapers of Thi Buy’s The Best We Could Do are coloured in a wash of a sky blue hue, and depict a beach scene: shells of several sizes are scattered about, along with a pair of sandals. The effect of the opening endpapers, to which the reader turns from the cover image of a…
Nicole Georges’ “Calling Dr. Laura,” Alison Bechdel’s “Fun Home,” Graphic Memoir, and Something Strange About Time
Alison Bechdel’s Fun Home: A Family Tragicomic (published by Houghton Mifflin Company, 2007) and Nicole Georges’ Calling Dr. Laura: A Graphic Memoir (published by Houghton Mifflin Company, 2013) share some important similarities: they’re both graphic memoir texts that feature family dramas, and they both use the comics form to do interesting things with time. The similarities…
Comics Academe: Hellos and Hildebrand
Editors Note: I am pleased to introduce the first article by a new Comics Academe contributor, Tiffany Babb, who will be sharing with us the view from inside academia, and specifically, the how she tackles the common academic dilemma of how to study comics when your institutional program does not have a comics studies program. Since…