Garbage Night Jen Lee (Writer and Artist) Nobrow Press June 13, 2017 A review copy was provided by the publisher. Imagining what survival will look like in the dystopian future is one thing, but what will it be like for our precious pets? Garbage Night is the second installment in Jen Lee’s series about three…
C2E2 Made Diversity Programming Hard to Enjoy
It’s been several years since I went to a convention as big as C2E2, and I have to admit: I was a bit nervous. Massive crowds are not my favorite thing, and I remember walking and walking and being in lines and walking more from the anime conventions I attended in high school. (I bet…
Spill Night is a Promising New Horror Comic
Spill Night Scott Westerfeld (writer) and Alex Puvilland (illustrator) First Second May 6th, 2017 Free Comic Book Day (FCBD) comics are such silly things. Sure, it’s fun to see your local comic shop overflowing with people, all lined up to get free stuff from publishers that normally ask at least four bucks for a monthly…
Silver Sprocket’s Avi Ehrlich Talks Business of Small Press and Art Theft on Redbubble
Art theft is as old as art itself, but in the digital era it is easier than ever to commit, and harder than ever to police. Perhaps the most common and familiar form occurs when an artist’s work is shared on social media without credit; a work can earn thousands of reblogs, likes, and comments…
What Heroes these White Men Are: A Look Back at M.A.S.H.
In 1970, director Robert Altman released a film that, despite its blatant anti-war rhetoric and heavy criticism of Cold War attitudes, would win several awards including five Academy Award nominations and an Oscar for it’s screenplay, and a designation of “culturally significant” from the Library of Congress. M.A.S.H — and the TV show that followed…
Grotesque, Anxious and Delightful: A Review of The Wicked and the Tired
The Wicked and The Tired Sheika Lugtu (editor), Jenna Kang (assistant editor), Connie Chu (cover art), A. Cris Valles, Daimon Hampton, Rivven Prink, Gabriel Mason, Gabi Mendez, Sheika Lugtu, Yewon Kwon, Woodbury Rand (Contributors) Cow House Press One of my favorite things about Chicago’s independent comics scene is that it’s filled with people who are downright inspiring,…
Cover Girl: Coady and the Creepies #1
Each month, we gather a team of WWAC contributors to analyze a new and notable comic book cover featuring a woman. This month Melissa, Alenka, Alexis and Rosie look at Coadie and the Creepies #1.
Small Press Bites: A Girl & Her Cat, A Catgirl, and More
Something Familiar Pam Wishbow Pam Wishbow’s work is delightfully creepy, always adorned with eyes and runes and enough esoteric symbols to catch my eye from across a room. Something Familiar, true to form, is a dark and creepy comic drawn in stark black and white, its shadows often dominating each scene in a way that…
Trust, Trauma, and Family in Caela Carter’s Forever, or a Long Long Time
Forever, or a Long Long Time Caela Carter Harper Collins March 7, 2017 Disclaimer: A review copy was provided by the publisher in exchange for an honest review. Trauma does not define a person, but it can cause seemingly endless aftershocks. Flora and Julian, a sister and brother who spent a considerable amount of…
Snowy Days With Angela Carter’s The Bloody Chamber: Part One
Welcome to The Bloody Chamber roundtable; a collection of short stories by speculative author Angela Carter. We’ll be discussing the short stories — their themes, the craft and the feelings they’ve elicited — in a four-parted series for every season starting with cold, frosty winter. We broke up the collection and have started with wolves:…
What is Journalism? A Review of Rolling Blackouts
Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq Sarah Glidden Drawn + Quarterly October 2016 A review copy was provided by the publisher. What is journalism? This is the primary question cartoonist Sarah Glidden pursued while traveling through Turkey, Iraq and Syria in 2010. Glidden’s friends and co-founders of The Seattle Globalist, Sarah Stuteville and…
Jane Mai Is an American Hero
Memoirists, unsurprisingly, often retell moments of their lives to extract a lesson from their experiences. It is natural to use the act of writing or talking about yourself to generate meaning, but lately I’ve been wondering if building narratives out of one’s own incomplete life can be dangerous. We all have, at one time or…