Let’s real talk: it’s tough being a woman of color. You sit at the intersection of both race and gender, and it’s an ongoing process of negotiating those identities and accepting that both parts can work to disadvantage you in different ways. When it comes to representation in film and TV, it often means having…
Let Me Desire Myself: Sexy Drawings That Don’t Hurt [NSFW]
Erotica, one might hope, is intended to make people feel good. Erotica, as has been discussed at length on this site, can cause people to feel bad. All art containing bodies has the potential to push the viewer into a state of comparison. Desiring to encourage reflection upon the differences and the the reasons which span this…
High Holiday Unhoarding: Spring Cleaning for Passover
It was just Passover, and while other Jews cleansed their houses of bread crumbs, I began to cleanse my life, starting with my room. It’s spring, the standard time for cleaning, and never before has it been so essential that I start taking cleaning seriously.
When Romance Comics Hated Women
When I was a teenager and first reading poetry, I inherited (basically stole) my mum’s copy of The Penguin Book of Love Poetry. It’s from the 1970s, has her name written in the front in blue pen, and the cover focuses on a detail from Bronzino’s Allegory with Venus and Cupid. Here’s a photo of…
Supermoms: Martyred, Fridged, Forgotten
Mother’s Day is a day we celebrate the woman (or women) in our lives that fulfill the role of “mother.” Mothers—the good and the bad ones—are an important part of our lives. Moms that worry about what media teaches their children, what superheroes are really super, and so much more. Mothers are important; their absence…
Iron Woman: Natasha Stark, Earth-3490, and the Case for Canon Genderswaps
One of my favorite things about the clamor of excitement surrounding any new comic-related movie is that every time a new film is released, more and more of my friends get interested in reading the comics a movie is based on. Captain America: Civil War is no exception to this, and Marvel’s first Civil War…
Burnside or Elsewhere, We Need a Bi Batgirl!
We need a bi Batgirl? I don’t mean that; it’s too specific, but that alliteration was impossible not to use. What we need is a queer heroine, and not just any sort of heroine. She needs to be different.
Carve Your Name in the Rockface: Arielle Soutar’s Art of Lettering
When I spoke to Zach Clemente about his Mountain cycle comics, he had plenty to say about his steady collaborator, Arielle Soutar. Clemente and Soutar have collaborated with a different cartoonist on each book, but she has provided the typography and logo work for all ClementeWorks scripts. And they’ve known each other since school! I wanted to…
Colorist on Color: Interview with Megan Wilson
Hello, and welcome to another interview! This time I had the pleasure to chat with Megan Wilson. You know her work from Hellcat, Then Emily Was Gone, and lots of covers with Nick Pitarra. She’s a real kick in the boot. You can follow her on Twitter @MeganEngiNerd or peep her great Instagram.
Amanda Waller & Laurel Lance: Dead and Disrespected On Arrow
CW’s Arrow is no stranger to killing characters, particularly female characters. Since Arrow’s inception, the show has prided itself on taking cues from Christopher Nolan’s Dark Knight franchise, and portrayed a gritter side of Green Arrow mythology and canon. Arrow gave fans a fraught view of Oliver Queen as a man who struggled with PTSD…
Fainted When She Saw My Body: Social Construction of Monstrousness in Saga
What is a monster? The easy answer is an “unnatural” being—your zombies, ghosts, or vampires. Stories from Frankenstein to The Walking Dead showcase the idea that humans can become monstrous through action, perhaps even more monstrous than the undead. Critics like David J. Skal and Stephen King argue that fictional monsters are metaphors, vehicles to…
Orientalism in Big Trouble in Little China
Before you read this: did you watch the Dr. Strange trailer? You should, because I’m going to compare it to Big Trouble in Little China, a movie thirty years its senior. “Why?” you ask. Because John Carpenter made BTLC with the understanding that Chinese-ness is context and not just culture, and that the mixture of…